A Look at Cubism by Sneed Collard

By Sneed Collard

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Step 2 starts with the same three hand moves as step 1 and then moves on to two pairs of hearts: Step 3 gives you the last piece in the puzzle of the 6/8 bell. The first clap in each measure comes right after the pulse while the second clap falls right on the pulse: Now just slide a piece of step 3 into the second measure of step 2, and the puzzle of the 6/8 bell is complete. Notice that on the pulse on 1 in the first measure and 4 in the second you step and make a hand move at the same time.

Then keep counting while you start stepping the pattern. You can start with either foot, just as you can when you step the pulse. But since there’s an odd number of steps in each measure, if you start with your right foot in the first measure, you’ll start with your left in the second: WARNING: One-bar clave stepping has been shown to induce the spontaneous formation of conga lines. To prevent injury, push all furniture back before attempting this pattern in a group. Now it’s time to add your hands.

The charts and the moves We use box charts for Slap Happy because they’re simple, clear, and easy to read. We could have used standard music notation, the kind you’re familiar with if you play an instrument or sing in a chorus. But standard music notation gives you lots of information you don’t need for Slap Happy, like the pitch of a note and how long to hold it. All you need to know to start slapping is what move to make and when to make it. That’s what our three-row box charts tell you. Let’s take a look at one: Above the chart you’ll see the name of the pattern and the word “solo” or “buddy” in parentheses.

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